The world behind
the work.
I’ve always had a passion for collecting things.
Fragments of stories, old photographs, maps, textures, decorative details, forgotten objects, things with a sense of place, story, and history attached to them.
I’m fascinated by traces of people and places. The stories hidden in a faded neon sign, a piece of broken china washed up on the Thames, or the tiny details in a nineteenth-century street photograph. I’m endlessly drawn to worlds people have built. Theatre sets that transform a stage into somewhere else entirely. Elaborate ornamentation in fashion and architecture. Imagined spaces that feel real enough to step inside.
I think that instinct follows me into the work I make, which is always driven by story, people and place.
Favourite design era:
Art Deco. I love its elegant restraint.
What i'll always stop to take a photo of:
Storms. Forgotten alleyways.
Niche Obsessions:
Mudlarking and map making
Favourite city:
London
Favourite part of my job:
Motion design & collaboration
A collaborative process in three distinct stages
My process is usually less about rigid steps and more about collecting, playing, and following threads of curiosity. I absorb myself in research - from archive photography and typography references to maps, street views and historical collections. And I like experiment until something begins to feel right. I want people to stop for a moment when they encounter my work. To feel curious and excited. To notice the details, linger a little longer and feel like they've stepped into a world with its own atmosphere and personality. Over the years I've collaborated with musicians, festivals, cultural institutions, theatre companies, brands and curious people who are looking for more than something functional. Not just assets, but something immersive. Something with feeling. Something with a world of its own.
01.
Find
What's found. What lingers. What refuses to disappear.
Not everything begins from scratch.
The most compelling work carries a sense of history - whether discovered, reassembled, or unearthed. Together we'll find it in fragments, references, and textures. And then we decide what’s worth bringing forward.
02.
Form
What's formed when instinct meets composition.
Colour, collage, structure, movement. This is where things take shape - not through trends, but through feeling. Something balanced, but not predictable. Refined, but not restrained. A visual language that holds together and stands apart.
03.
Feel
What's felt - and remembered, even if it can’t be explained.
This is the part you can’t quite articulate - but you know when it’s there. It’s what makes someone stop, look again and feel something. Not just seen, but felt. And not easily forgotten.